Ross F. Littell, a appliance and bolt designer, died on April 17 in Santa Barbara, Calif. He was 75.
The account was a academician tumor, his sister, Janice Currey, of Malibu, Calif., said aftermost week.
Mr. Littell’s appropriate designs were practical, bent and fun. ”The New Furniture” collection, with its aggregate of angularity and luxury, Belgian marble, agleam chrome and alloyed white covering straps that he advised with William Katavolos and Douglas Kelley for the Laverne Company in 1952, is now advised an important collectible from the period. The sling-leather and chrome-frame T-Chair from that alternation is in the abiding architecture accumulating at the Museum of Modern Art in New York.
Ross Franklin Littell was built-in on July 14, 1924, in Los Angeles. After aggressive service, he accustomed a amount in automated architecture from Pratt Institute in New York. In 1949, back he was 25, he won an accolade from the American Institute of Decorators for a low coffee table on tubular animate legs with a top fabricated of besom dowls strung calm central a gumwood anatomy with handles. The board accepted the table abnormally for its affordability — its amount tag was $19.
Mr. Littell’s assignment bound admiring the absorption of such arresting manufacturers as Knoll and Herman Miller, for whom he formed abundantly in the 1950’s and 60’s. He confused to Copenhagen in 1960 and again to Italy, area he additionally formed on bolt and appliance designs for arresting European manufacturers, amid them Unika Vaev in Denmark and DePadova in Italy.
Exploring his allure with geometry, attributes and motion, he experimented with authoritative all-embracing incised metal bank hangings that he alleged luminars. He additionally developed avant-garde bolt patterns based on the comedy of arithmetical combinations and a faculty of adroit movement.
Mr. Littell connected to present new appliance and bolt designs while accretion his interests to designing art, carpets and tiles for accumulated settings. Le Musee des Arts Decoratifs in Montreal included his bolt assignment in the exhibition ”Design: What Modern Was, 1935-65” in 1991 at the I.B.M. Gallery in New York.
Mr. Littell confused to Santa Barbara in 1995. His alliance to Inger Klingenberg, an autogenous artist with whom he additionally collaborated, concluded in divorce. In accession to his sister, he is survived by a son, David, of Darien, Conn; two daughters, Louisa, of Denmark and Hai-ja, of Italy; and six grandchildren.
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