When it comes to Bali, there are about two camps. Firstly, there’s Camp A – the Aussies that adulation Bali. They’re the ones boarding Jetstar flights in their Havaianas and kaftans, already accomplishing the sums on how abounding $6 massages and $1.50 Bintangs they can fit into any accustomed day. And again there’s Camp B, the ones that aloof don’t “do” Bali. They’re the ones who don’t do bargain airlines, they don’t do artery aliment and loud nightclubs, and they absolutely don’t do bargain “Ray Bann” sunglasses. But with added than one actor Australians visiting the Indonesian island of Bali anniversary year and added than 10,000 Australians authoritative it their capital home, there’s article in the Bali amnion appropriate now, and it’s taken authority of the hospitality scene.
In the accomplished year, there’s been a bandage of Australian chefs, restaurateurs and creatives staking their affirmation in Bali. Sydney’s Maurice Terzini of Icebergs and The Dolphin has opened an Italian osteria/pizzeria, Movida’s Frank Camorra launched a Balinese outpost, and aloft Ksubi appearance artisan George Garrow has befuddled accessible the doors to a twelve-suite bazaar auberge and bistro in Canggu. These agitative venues allay the appetite and ache of the comestible jetsetters, but additionally fattens out the agitation account of the afire architecture travellers. One new accession that will appease the foodies, the architecture dabblers and the PYTs is Bikini. The 120-seat bar and restaurant is the latest area from restaurateurs 8 Degree Projects, headed by Australian expat Adam McAsey. Bikini marks the fourth Bali area by McAsey, all of which accept been advised by Melbourne-based Travis Walton Architecture with branding by 21-19. The four venues – Sisterfields cafe, BO$$ MAN burger shop, Expat coffee roasters and now Bikini – sit ancillary by side, application one of the busiest corners of upmarket Seminyak. Of all the venues, Bikini shouts loudest to the artery with a blush neon assurance aerial aloft its forecourt declaring “U LOOK HOT IN (A) BIKINI.” The “A” flickers in and out of view, agreeable two altered readings – one of adulation and one of attenuate instruction. The active affectation is a little evocative of the courting behaviour you see by close macho birds or adolescent men in Kuta, but it is a bent tactic to abduction the attentions of passers-by and animate them inside.
Once through the advanced entry, visitors can aces a atom in the amphitheater cocktail lounge, with the “disco art-deco” account bar on the appropriate and costly banquette basement on the left. The amplitude has been advised as a abode for bodies watching, and for abounding tourists this is absolutely what they feel like accomplishing on their aboriginal nights as they booty in their surroundings. Timber screens the soffit of the aerial clandestine dining allowance and the bar front, while marble countertops and brass-lined stools allege of influences from New York and Miami. McAsey says bar dining is adamantine to acquisition in Bali because of the accent barrier amid agents and patrons, but McAsey and his aggregation accept spent time training the agents at Bikini so that “you can branch yourself up at the bar and the bartenders can authority their own and accumulate the chat activity all night.”
The bar runs about the bend and into the purpose- congenital double-height accurate anatomy that houses the capital dining space. The western and arctic walls are belted with ample covering dining booths. The booths accept low backs, advised that way so diners can crane their necks and bang up a chat with their berth neighbours. The hinge chairs at the bar animate the aforementioned thing. Aloft the booths, custom-designed bank sconces – aerial and admirable orbs – run the breadth of the wall, anecdotic the white marble dining tables that accept been inlaid with fat stripes of blah marble. The western bank is about absolutely buried in a mural by Melbourne artisan Ash Keating, who abounding up blaze extinguishers with blush and white acrylic and sprayed the wall. The aftereffect is a activating blind of colour that appears to dribble bottomward the wall.
If Bikini were amid in Melbourne or Sydney, it’d accomplish an impression. The actuality that it’s in Bali, area logistical, labour and quality-control nightmares abound, makes it alike added impressive. It’s time those assuming Camp B-ers arrested out the abutting Jetstar sale.
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